De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe siècles
If Carnival seems to participate in the establishment’s reversal, appealing to its codes in the field of representations would then be a tool for the emancipation of women artists, who have historically struggled to have their places in the world of art governed by men. The matter is the different...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2020-12-01
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| Series: | LEA : Lingue e Letterature d'Oriente e d'Occidente |
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| Online Access: | https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12446 |