De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe siècles

De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe siècles

If Carnival seems to participate in the establishment’s reversal, appealing to its codes in the field of representations would then be a tool for the emancipation of women artists, who have historically struggled to have their places in the world of art governed by men. The matter is the different...

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Bibliographic Details
Main Author: Quentin Petit Dit Duhal
Format: Article
Language:English
Published: Firenze University Press 2020-12-01
Series:LEA : Lingue e Letterature d'Oriente e d'Occidente
Subjects:
feminism, gender, identity, masquerade, women artists
Online Access:https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12446
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spelling doaj-f1a7fce374de4164be7feef9f94f6c7f2021-02-03T08:56:27ZengFirenze University PressLEA : Lingue e Letterature d'Oriente e d'Occidente1824-484X2020-12-019910.13128/lea-1824-484x-12446De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe sièclesQuentin Petit Dit Duhal If Carnival seems to participate in the establishment’s reversal, appealing to its codes in the field of representations would then be a tool for the emancipation of women artists, who have historically struggled to have their places in the world of art governed by men. The matter is the different reformulations of Carnival from the angle of the gender studies in the case of the duo Claude Cahun and Marcel Moore’s play on the mask, Deborah de Robertis’ disguise, as well as ORLAN’s manipulation of genetics through new technologies, that invests the figure of the Arlequin directly from the Italian Commedia dell’arte. Therefore, this article attempts to show the conditions in which the development of a Carnival aesthetics allows these artists to challenge femininity https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12446feminism, gender, identity, masquerade, women artists
collection DOAJ
language English
format Article
sources DOAJ
author Quentin Petit Dit Duhal
spellingShingle Quentin Petit Dit Duhal
De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe siècles
LEA : Lingue e Letterature d'Oriente e d'Occidente
feminism, gender, identity, masquerade, women artists
author_facet Quentin Petit Dit Duhal
author_sort Quentin Petit Dit Duhal
title De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe siècles
title_short De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe siècles
title_full De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe siècles
title_fullStr De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe siècles
title_full_unstemmed De masques et de costumes. La mascarade identitaire des artistes femmes aux XXe et XXIe siècles
title_sort de masques et de costumes. la mascarade identitaire des artistes femmes aux xxe et xxie siècles
publisher Firenze University Press
series LEA : Lingue e Letterature d'Oriente e d'Occidente
issn 1824-484X
publishDate 2020-12-01
description If Carnival seems to participate in the establishment’s reversal, appealing to its codes in the field of representations would then be a tool for the emancipation of women artists, who have historically struggled to have their places in the world of art governed by men. The matter is the different reformulations of Carnival from the angle of the gender studies in the case of the duo Claude Cahun and Marcel Moore’s play on the mask, Deborah de Robertis’ disguise, as well as ORLAN’s manipulation of genetics through new technologies, that invests the figure of the Arlequin directly from the Italian Commedia dell’arte. Therefore, this article attempts to show the conditions in which the development of a Carnival aesthetics allows these artists to challenge femininity
topic feminism, gender, identity, masquerade, women artists
url https://oajournals.fupress.net/index.php/bsfm-lea/article/view/12446
work_keys_str_mv AT quentinpetitditduhal demasquesetdecostumeslamascaradeidentitairedesartistesfemmesauxxxeetxxiesiecles
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