Defanging the Vampire : The Crushing Gaze of Metadiegesis in Shadow of the Vampire (E. Elias Merhige, 2000)
This article outlines the consequences and conditions of emergence of a meta-narrative in Shadow of the Vampire (E. Elias Mehrige, 2000), a film which invents an alternate version of the shooting of F.W Murnau’s Nosferatu (1922). By positing Mehrige’s film as a primary film and Nosferatu as a second...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2018-09-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/13601 |