What matters? Returning to perplexity with spurse at the Indianapolis Museum of Art
In honour of Charles W. Haxthausen with an offering on the museum side of his ‘two art histories’, this paper reflects on the exhibition sub-merging: a wetland project by the art collective spurse, which I organized in 2006 at the Indianapolis Museum of Art. Using a series of conceptual protocols dr...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2019-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2019/11/uchill.pdf |