What matters? Returning to perplexity with spurse at the Indianapolis Museum of Art
In honour of Charles W. Haxthausen with an offering on the museum side of his ‘two art histories’, this paper reflects on the exhibition sub-merging: a wetland project by the art collective spurse, which I organized in 2006 at the Indianapolis Museum of Art. Using a series of conceptual protocols dr...
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Department of Art History, University of Birmingham
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doaj-f41e03c769fd4b03b4ad9bf05e5e38fd2020-11-25T02:09:36ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522019-12-012121RU1What matters? Returning to perplexity with spurse at the Indianapolis Museum of ArtRebecca Uchill0Universityof DartmouthIn honour of Charles W. Haxthausen with an offering on the museum side of his ‘two art histories’, this paper reflects on the exhibition sub-merging: a wetland project by the art collective spurse, which I organized in 2006 at the Indianapolis Museum of Art. Using a series of conceptual protocols drawn from theories of knowledge production from Bruno Latour and others, the artists looked at processes of decision-making that consecrate ‘What Matters’ to the museum (and which material ‘matters’ become sanctioned for recognition within it). The project forced awareness of and discussions about representation, access, and valuation. Our process of producing the exhibition, described in this article, also explored the rich conceptual potential of incongruities in departmental policies or disciplinary methods within the organization. Ultimately, this project explored the reality that a museum – like any commons – is not just one institution or thing, but a multitude of propositions.https://arthistoriography.files.wordpress.com/2019/11/uchill.pdfspursebruno latourperplexityinstitutional critiqueexhibition displayindianapolis museum of artnewfieldsart and sciencecharles w. haxthausen |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Rebecca Uchill |
spellingShingle |
Rebecca Uchill What matters? Returning to perplexity with spurse at the Indianapolis Museum of Art Journal of Art Historiography spurse bruno latour perplexity institutional critique exhibition display indianapolis museum of art newfields art and science charles w. haxthausen |
author_facet |
Rebecca Uchill |
author_sort |
Rebecca Uchill |
title |
What matters? Returning to perplexity with spurse at the Indianapolis Museum of Art |
title_short |
What matters? Returning to perplexity with spurse at the Indianapolis Museum of Art |
title_full |
What matters? Returning to perplexity with spurse at the Indianapolis Museum of Art |
title_fullStr |
What matters? Returning to perplexity with spurse at the Indianapolis Museum of Art |
title_full_unstemmed |
What matters? Returning to perplexity with spurse at the Indianapolis Museum of Art |
title_sort |
what matters? returning to perplexity with spurse at the indianapolis museum of art |
publisher |
Department of Art History, University of Birmingham |
series |
Journal of Art Historiography |
issn |
2042-4752 |
publishDate |
2019-12-01 |
description |
In honour of Charles W. Haxthausen with an offering on the museum side of his ‘two art histories’, this paper reflects on the exhibition sub-merging: a wetland project by the art collective spurse, which I organized in 2006 at the Indianapolis Museum of Art. Using a series of conceptual protocols drawn from theories of knowledge production from Bruno Latour and others, the artists looked at processes of decision-making that consecrate ‘What Matters’ to the museum (and which material ‘matters’ become sanctioned for recognition within it). The project forced awareness of and discussions about representation, access, and valuation. Our process of producing the exhibition, described in this article, also explored the rich conceptual potential of incongruities in departmental policies or disciplinary methods within the organization. Ultimately, this project explored the reality that a museum – like any commons – is not just one institution or thing, but a multitude of propositions. |
topic |
spurse bruno latour perplexity institutional critique exhibition display indianapolis museum of art newfields art and science charles w. haxthausen |
url |
https://arthistoriography.files.wordpress.com/2019/11/uchill.pdf |
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AT rebeccauchill whatmattersreturningtoperplexitywithspurseattheindianapolismuseumofart |
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