"C’est costume d’amur de joie aveir aprés dolur." La fenomenologia amorosa in alcuni passi del 'Tristan' e del 'Cligés'
The love described by Thomas d'Angleterre in Tristan and by Chrétien de Troyes in Cligés is conceived in different terms than the conventional model of fin'amor put forward by the troubadours; both authors treat the phase of their protagonists' falling in love as a true and proper dis...
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| Format: | Article |
| Language: | deu |
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University of Milan
2017-05-01
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| Series: | Interfaces: A Journal of Medieval European Literatures |
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| Online Access: | http://riviste.unimi.it/interfaces/article/view/6999 |