Architectural Filth and the Heroic Passivism of Farhadi's Salesman
Architecture in Asghar Farhadi’s The Salesman (2016) is not a mere passive backdrop to an otherwise unaffected narrative; it is an autonomous agent that takes part in the events that unfold, complicates the narrative, and even occasionally defies the ideological position of the film. By analysing in...
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| Format: | Article |
| Language: | English |
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Department of Architecture Universitas Indonesia
2021-01-01
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| Series: | Interiority |
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| Online Access: | https://interiority.eng.ui.ac.id/index.php/journal/article/view/115 |