From Aestheticism to Modernism, and Back Again
This paper argues that the conventional art-historical periodization, in which Modernism inexorably supersedes Aestheticism, and the year 1900 marks a radical break in the history of art, is seriously flawed: not only historiographically naïve, it is also tinged with misogyny and homophobia. In a lo...
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| Format: | Article |
| Language: | English |
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Open Library of Humanities
2006-04-01
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| Series: | 19 : Interdisciplinary Studies in the Long Nineteenth Century |
| Online Access: | http://www.19.bbk.ac.uk/articles/440 |