Art Spiegelman : de l’outrenoir à l’outrebiographie dans In the Shadow of No Towers
After a study comparing Art Spiegelman’s cover album with the “outrenoir” concept theorized by the French painter Pierre Soulages, this article will aim at redefining Spiegelman’s autobiography as “outrebiography,” understood here as going beyond the bounds of a mere testimony of the self towards th...
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| Format: | Article |
| Language: | English |
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2011-09-01
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| Series: | E-REA |
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| Online Access: | http://journals.openedition.org/erea/2117 |