Mapping Nichols’ Modes in Documentary Film – Ai Weiwei: Never Sorry and Helvetica
Bill Nichols’ “modes” theory of classifying documentary films by describing them in terms of poetic, expository, observational, participatory, reflexive and performative “modes” is well established as an analytical model. Nichols’ mode taxonomy is generally used to broadly describe the predominant m...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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The International Academic Forum
2017-04-01
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| Series: | IAFOR Journal of Media, Communication & Film |
| Subjects: | |
| Online Access: | https://iafor.org/journal/iafor-journal-of-media-communication-and-film/volume-2-issue-1/article-7/ |