“Blotting and Blurring Demons”? The Paradoxical Place of Colour Printing in Blake’s Theory of Art
In the long-standing quarrel of colour and design, it is generally taken for granted that William Blake sided with the linearists against the painterly schools. This interpretation is supported by the artist’s writings on art, with their repeated emphasis on the act of drawing as the expression of s...
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| Format: | Article |
| Language: | English |
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Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
2018-12-01
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| Series: | XVII-XVIII |
| Online Access: | http://journals.openedition.org/1718/1144 |