‘Aus den Kupffern aber / so man davon hat / ersehe ich / daß ich nichts sonderliches daran zu sehen versäumet habe...’: Zur Funktion des Kupferstiches für die Rezeption niederländischer Gartenkunst um 1700

When William III of the house of Orange ascended the English throne in 1689, this led to a great increase in the number of prints of Dutch noblemen's gardens in the Dutch Republic. After the death of William III such series, each of them depicting one single nobleman's garden, were only ra...

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Bibliographic Details
Main Author: Christian Bertram
Format: Article
Language:English
Published: KNOB 1996-12-01
Series:Bulletin KNOB
Online Access:https://bulletin.knob.nl/index.php/knob/article/view/415