Louise Bourgeois and the modernist canon in Art History: Alternatives from feminist criticism
Louise Bourgeois began her artistic career in New York in the 1940s as a colleague of the abstract expressionists, whose artwork was hailed by Clement Greenberg as a high point in modernist abstraction. Bourgeois’ peculiar position –poised between two seemingly opposed art movements, surrealism and...
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| Format: | Article |
| Language: | English |
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Universidad Complutense de Madrid
2014-01-01
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| Series: | Investigaciones Feministas |
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| Online Access: | http://revistas.ucm.es/index.php/INFE/article/view/41882 |