De lo multicultural a lo interdisciplinario o cómo opera la ciencia ficción de Marcelo Cohen
If in the eighties and nineties, Marcelo Cohen’s narrative work has the particularity of presenting multicultural scenarios, a mixture of cultures (Insomnio, 1985; El oído absoluto, 1989; El testamento de O’Jaral, 1995, just to cite three of his best-known novels), from the twenty-first century onwa...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2019-07-01
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| Series: | Cuadernos LIRICO |
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| Online Access: | http://journals.openedition.org/lirico/8803 |