Le tribunal figural de la fiction expressionniste
The article considers a singular film, Von morgens bis mitternachts, directed by Karl Heinz Martin in 1920. This fiction is a major work of the German expressionist current because of the originality of its visual inventions. The faces are painted and grimed. The sets appear unfinished and awkward....
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| Format: | Article |
| Language: | deu |
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Presses universitaires de Strasbourg
2020-12-01
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| Series: | Recherches Germaniques |
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| Online Access: | http://journals.openedition.org/rg/4792 |