Keys to the Past: Building Harpsichords and Feeling History in the Postwar United States
<p>This dissertation traces the range of popular forms and practices associated with the harpsichord in the twentieth century in the United States, focusing on the 1950s, 60s and 70s. It draws on archives of period correspondence, sound recordings, and news clippings, as well as on my intervie...
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| Format: | Others |
| Language: | en_US |
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2010
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| Online Access: | http://hdl.handle.net/10161/2456 |