From Splicing To Dicing: Film Sound Design Goes Digital In The 1990s
The common perception that sound design is a subset of postproduction sound, and that most film sound professionals are more technicians than artists, is an assumption that leads to erroneous conclusions about the nature of film sound as a component of filmmaking. Specific sound designers have been...
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ScholarWorks @ Georgia State University
2014
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| Online Access: | http://scholarworks.gsu.edu/communication_diss/52 http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1053&context=communication_diss |