Nanbei (south-north) comedies in Hong Kong cinema : transregional film industry and Hong Kong identity
In this paper, I attempt to use the concept of “transregional imagination” by Zhang Yingjin to depict the Hong Kong film industry in the early 60s and examine how it has transformed the industry practices in Hong Kong cinema and shaped the Hong Kong identity. For decades, Hong Kong cinema has been o...
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| Language: | English |
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The University of Hong Kong (Pokfulam, Hong Kong)
2015
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| Online Access: | http://hdl.handle.net/10722/208079 |