O norte da canção: música engajada em Belém nos anos 1960 e 1970
Much has been said, from various perspectives, about the Engaged Song in Brazil: the composers and songs consecrated in the national mainstream, the insertion in the music industry, the privileged themes, such as the dia-que-virá , the resistance feature and its central role in the process of insti...
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Format: | Others |
Language: | Portuguese |
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Universidade Federal de Uberlândia
2016
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Online Access: | https://repositorio.ufu.br/handle/123456789/16321 |