What it means to be modern: a messy history of mass-media revivals in the Gilded Age and Progressive Era, 1875-1920
American historians tend to oppose modernity and modern religion to pre-modern and traditional faith, a binary that has privileged certain religious forms and displays of sacredness over others. This thesis challenges the structuring dichotomy of modernity by arguing that Protestant evangelical revi...
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| Language: | English en |
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2013
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| Online Access: | http://hdl.handle.net/1828/4733 |