Wah Eye Nuh See Heart Nuh Leap: Queer Marronage In The Jamaican Dancehall

Wah Eye Nuh See Heart Nuh Leap: Queer Marronage In The Jamaican Dancehall

This thesis explores the interweaving of colonial and post-colonial British and Jamaican Laws and the interpretive legalities of sexuality, compulsory heterosexuality, and queerness. The research project begins by exploring the ways in which the gendered colonial law produces black sexualities as ex...

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Bibliographic Details
Main Author: Moore, CARLA
Other Authors: Queen's University (Kingston, Ont.). Theses (Queen's University (Kingston, Ont.))
Language:en
en
Published: 2014
Subjects:
Homophobia
African Retention
Performance
Jamaica
Performativity
Legal Geographies
Caribbean
Black Geographies
Blindspot
Queerness
Geo-psychic Blindspot
Performance as Personhood
Dancehall
Resistance Technologies
Queer Visibility
Blackness
Queerness as Praxes
Identity Politics
Modernity
Queerness of Blackness
Dancehall Geographies
Sexuality
Plantation Technologies
Colonial Debris
Queer Imperialism
Unvisibility
Colonialism
Online Access:http://hdl.handle.net/1974/8599

Internet

http://hdl.handle.net/1974/8599

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