Olivier Messiaen's Influence in the Violoncello Works of Toru Takemitsu
This monograph is an examination of Oliver Messiaens influence in the violoncello solo and chamber compositions of Tōru Takemitsu. A total of sixteen pieces: Le Son Calligraphie I (1958), Le Son Calligraphie III (1960), Scene (1959), Landscape (1960), Corona II (1962), Valeria (1969), Quatrain (1975...
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| Format: | Others |
| Language: | en |
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LSU
2015
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| Online Access: | http://etd.lsu.edu/docs/available/etd-04132015-102412/ |