Formal Convention in Verdi's Falstaff
Falstaff (premiered in 1893) draws more explicitly on primo ottocento formal conventions for duets, arias, and central finales than scholars have previously argued. A description of those conventions (generally referred to as the solita forma) is followed by the analytical application of those conv...
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Others |
| Language: | en |
| Published: |
LSU
2006
|
| Subjects: | |
| Online Access: | http://etd.lsu.edu/docs/available/etd-05152006-113602/ |