(Ad)dressing Afghanistan The Commodification of the Ethnic 'Type' Genre
<p>The relationship between photographer and subject in nineteenth-century photographs of Afghanistan operates as a component of identity construction. To date, this interaction is theorized in terms of power between the photographer and the colonial apparatus and labels the image as orientali...
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| Language: | EN |
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University of California, Irvine
2017
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| Online Access: | http://pqdtopen.proquest.com/#viewpdf?dispub=10288755 |