Edmund Campion's "Losing Touch" for amplified vibraphone and fixed electronic sounds (1994)| An analysis and performance guide
<p> Since the mid-twentieth century, many composers and performers have embraced the idea of synchronizing live musicians with electronic sounds to create a new musical experience, with organizations such as IRCAM advancing the development of electroacoustic music and technology. The genre of...
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| Language: | EN |
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California State University, Long Beach
2015
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| Online Access: | http://pqdtopen.proquest.com/#viewpdf?dispub=1592703 |