Connecting histories: Identity and exoticism in Ernest Bloch, Rebecca Clarke, and Paul Hindemith's viola works of 1919
Taking the end of the First World War as a starting point and the Elizabeth Sprague Coolidge Composition Competition as a meeting point, this study discusses three major works for viola of 1919: the Sonata for Viola and Piano by Rebecca Clarke, the Sonata Op. 11, No. 4 by Paul Hindemith, and the Sui...
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| Format: | Others |
| Language: | English |
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2009
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| Online Access: | http://hdl.handle.net/1911/20682 |