Fictitious criticism at the close of the 1960s: Parody, performativity, and the postmodern
This essay evaluates fictitious criticism as a heretofore largely ignored phenomenon that existed in art writing of the late 1960s and early 1970s, examining three exemplary cases: First, a set of 1969 self-interviews conducted by conceptual artists Joseph Kosuth, Robert Barry, Doug Huebler, and Law...
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| Format: | Others |
| Language: | en |
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Texas Christian University
2008
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| Online Access: | http://etd.tcu.edu/etdfiles/available/etd-05082008-155001/ |