The Chisel and the Lens: Picasso, Brassaï, and the Photography of Sculptures: 1933–1948
While Pablo Picasso internationally exhibited his paintings, he chose to expose his sculptures only through photographs. Picasso’s commitment to the photographic display of his sculpture comes to light through his fifteen year collaboration with Brassaï, the first photographer to collaborate regular...
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| Language: | en_ca |
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2012
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| Online Access: | http://hdl.handle.net/1807/42534 |