The Stagehands of Subversive Spaces: Site-specific Performance and Audience Labour
This dissertation develops a theory for analyzing the role of audiences as aesthetic resources in contemporary site-specific performance and relational art. Collaborating with three Canadian companies as a participant-observer, interviewer, and in some cases, documenter, I develop case studies that...
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| Language: | en_ca |
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2012
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| Online Access: | http://hdl.handle.net/1807/42606 |