Between Gazing and Imagination: The Discursive Formation of “Chinese Modern Paintings” in Postwar Taiwan (1945-1970)
碩士 === 臺南藝術學院 === 藝術史與藝術評論研究所 === 88 === As far as Chinese paintings are concerned, “tradition versus innovation” has always been the basic tone of discussion since the beginning of this century. First of all, this paper traces back this proposition to its original historic context, and questions th...
| Main Authors: | , |
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| Other Authors: | |
| Format: | Others |
| Language: | zh-TW |
| Published: |
2000
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| Online Access: | http://ndltd.ncl.edu.tw/handle/93087696740374441222 |