Transvestism and Patriarchal Social Structure in As You Like It: With a Study of EFL Implications in Taiwan’s Secondary Schools

碩士 === 國立彰化師範大學 === 英語研究所 === 92 === My reading of William Shakespeare’s As You Like It is from the perspectives of Cultural Poetics and Materialist Feminism. I want to see the relation between Rosalind’s transvestism and patriarchal social structure. In addition, I propose to introduce Shakesp...

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Main Authors: Mei-Ru Lai, 賴美儒
Other Authors: Hui-Zung Perng
Format: Others
Language:en_US
Published: 2004
Online Access:http://ndltd.ncl.edu.tw/handle/53312698350296170962
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spelling ndltd-TW-092NCUE52400122015-10-13T12:57:08Z http://ndltd.ncl.edu.tw/handle/53312698350296170962 Transvestism and Patriarchal Social Structure in As You Like It: With a Study of EFL Implications in Taiwan’s Secondary Schools 《如願》中的變裝與父系社會結構及其與國內中學英語教學的關聯 Mei-Ru Lai 賴美儒 碩士 國立彰化師範大學 英語研究所 92 My reading of William Shakespeare’s As You Like It is from the perspectives of Cultural Poetics and Materialist Feminism. I want to see the relation between Rosalind’s transvestism and patriarchal social structure. In addition, I propose to introduce Shakespeare into the language classroom of Taiwan’s secondary schools. Approaching the relation between the political struggles of the monarchy and the formation of the professional and commercial Elizabethan theaters, we can see that patriarchy is the major social ideology, with which the society was structured hierarchically. Although the rise of early capitalism might have effect on the social structure, patriarchy as the basis of social ideology had never been doubted and the social hierarchy had become far more stabilized than before. Introduction gives brief background knowledge of Cultural Poetics and Materialist Feminism, as well as the organization of the thesis. Chapter One shows how the political struggle between the Tudor monarchy and the Catholic Church was a major cause of the formation of the English theaters. Through analyzing the historical background of the theaters, we can find that Elizabethan society was patriarchal and hierarchical. Then in Chapter Two, applying Cultural Poetics and Materialist Feminism to Rosalind’s disguise in As You Like It, I argue that transvestism and female seemingly freedom are only strategies to consolidate the status quo of male hierarchy. In Chapter Three, I argue that, in As You Like It, the green world is actually a continuum of the primary world, in which patriarchy as ideology manipulates and controls the end of the play. Chapter Four is a proposal to bring William Shakespeare’s As You Like It into the language classroom of Taiwan’s secondary schools. Finally, a summary of the main points of my thesis and an emphasis again on the political implications and the benefit of the play to Taiwan’s secondary schools students is given in Conclusion. Hui-Zung Perng 彭輝榮  2004 學位論文 ; thesis 135 en_US
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description 碩士 === 國立彰化師範大學 === 英語研究所 === 92 === My reading of William Shakespeare’s As You Like It is from the perspectives of Cultural Poetics and Materialist Feminism. I want to see the relation between Rosalind’s transvestism and patriarchal social structure. In addition, I propose to introduce Shakespeare into the language classroom of Taiwan’s secondary schools. Approaching the relation between the political struggles of the monarchy and the formation of the professional and commercial Elizabethan theaters, we can see that patriarchy is the major social ideology, with which the society was structured hierarchically. Although the rise of early capitalism might have effect on the social structure, patriarchy as the basis of social ideology had never been doubted and the social hierarchy had become far more stabilized than before. Introduction gives brief background knowledge of Cultural Poetics and Materialist Feminism, as well as the organization of the thesis. Chapter One shows how the political struggle between the Tudor monarchy and the Catholic Church was a major cause of the formation of the English theaters. Through analyzing the historical background of the theaters, we can find that Elizabethan society was patriarchal and hierarchical. Then in Chapter Two, applying Cultural Poetics and Materialist Feminism to Rosalind’s disguise in As You Like It, I argue that transvestism and female seemingly freedom are only strategies to consolidate the status quo of male hierarchy. In Chapter Three, I argue that, in As You Like It, the green world is actually a continuum of the primary world, in which patriarchy as ideology manipulates and controls the end of the play. Chapter Four is a proposal to bring William Shakespeare’s As You Like It into the language classroom of Taiwan’s secondary schools. Finally, a summary of the main points of my thesis and an emphasis again on the political implications and the benefit of the play to Taiwan’s secondary schools students is given in Conclusion.
author2 Hui-Zung Perng
author_facet Hui-Zung Perng
Mei-Ru Lai
賴美儒
author Mei-Ru Lai
賴美儒
spellingShingle Mei-Ru Lai
賴美儒
Transvestism and Patriarchal Social Structure in As You Like It: With a Study of EFL Implications in Taiwan’s Secondary Schools
author_sort Mei-Ru Lai
title Transvestism and Patriarchal Social Structure in As You Like It: With a Study of EFL Implications in Taiwan’s Secondary Schools
title_short Transvestism and Patriarchal Social Structure in As You Like It: With a Study of EFL Implications in Taiwan’s Secondary Schools
title_full Transvestism and Patriarchal Social Structure in As You Like It: With a Study of EFL Implications in Taiwan’s Secondary Schools
title_fullStr Transvestism and Patriarchal Social Structure in As You Like It: With a Study of EFL Implications in Taiwan’s Secondary Schools
title_full_unstemmed Transvestism and Patriarchal Social Structure in As You Like It: With a Study of EFL Implications in Taiwan’s Secondary Schools
title_sort transvestism and patriarchal social structure in as you like it: with a study of efl implications in taiwan’s secondary schools
publishDate 2004
url http://ndltd.ncl.edu.tw/handle/53312698350296170962
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