“Fake -twining” vs. “Real -binding”： An Iconographical Study of Max Beckmann's Painting
碩士 === 國立彰化師範大學 === 藝術教育研究所 === 92 === Abstract Max Beckmann was a hard-categorized German artist. Owing to his literacy of image language, myths, religion, alchemy, literature, and philosophy, his paintings are full of philosophical ambiguities and contradiction. Therefore, some scholars made nega...
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| Format: | Others |
| Language: | zh-TW |
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2004
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| Online Access: | http://ndltd.ncl.edu.tw/handle/11878996295982138686 |