Methods of Performance in Kun Opera: the Components of “Actor’s Body” and Its Manipulation in Creating a Role

碩士 === 臺灣大學 === 戲劇學研究所 === 96 === From the perspective of performer-centered theatre, this thesis focuses on how the performers of Kun-Ju (also known as Kun Opera) exert every part of their body. The whole discourse develops on the aesthetics of Kun Opera, gradually delving the three aspects of per...

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Bibliographic Details
Main Authors: Ming-Wei Li, 李銘偉
Other Authors: Ho-Yi Lin
Format: Others
Language:zh-TW
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/58100756011449190960