The Embodiment of Madness in Richard Strauss''s Don Quixote, Salome, and Elektra

碩士 === 國立臺北藝術大學 === 音樂學研究所碩士班 === 99 === Madness has appeared repetitively as the “mad scenes ” in the operas since the 19th Century. It reflects on people’s sympathy and the romantic image toward madness. A significant change in the theme of madness occurred in the music of Richard Strauss (1864-19...

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Bibliographic Details
Main Authors: Tsung-Heng Yao, 姚宗亨
Other Authors: 顏綠芬
Format: Others
Language:zh-TW
Published: 2011
Online Access:http://ndltd.ncl.edu.tw/handle/fc9ny3