Cinema of Distance: Midi Z''s "Homecoming Trilogy" and the Borders of the Postcolonial and the Sinophone

碩士 === 國立臺灣大學 === 外國語文學研究所 === 106 === This thesis investigates the representations of the Burmese Chinese characters’ failed inter-Asian migrations in Midi Z’s Homecoming Trilogy—including Return to Burma (2011), Poor Folk (2012), and Ice Poison (2014)—by discussing this trilogy as a “cinema of dis...

Full description

Bibliographic Details
Main Authors: Kun Xian Shen, 沈昆賢
Other Authors: Guy Beauregard
Format: Others
Language:en_US
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/rt9694