An interrogation of Christo and Jeanne-Calude’s The Gates, Central Park, New York 1979-2005, or a spectre of Socialist Realism in the new economy
This thesis examines artists Christo and Jeanne-Claude's recent art installation, The Gates. Central Park. New York. 1979-2005. I argue that the urban political processes that gave rise to The Gates. Central Park. New York. 1979-2005 underscore the event's performative and material attr...
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| Language: | English |
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2010
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| Online Access: | http://hdl.handle.net/2429/17813 |