Masquerades of self-erasure : pornography and corporeal memory in Liliana Cavani's The Night Porter
In this thesis, I am utilizing Liliana Cavani’s controversial 1974 film The Night Porter to acknowledge the significance of pornography in historical representation and memory work as related to the Holocaust. I will discuss the importance of representations rooted in the corporeal and relegated to...
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| Language: | English |
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University of British Columbia
2010
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| Online Access: | http://hdl.handle.net/2429/22488 |