Harold Pinter and the theatre of the absurd
As delineated in the Introduction, the central direction of this thesis is that of determining the nature and purpose of Harold Pinter's-drama, of tracing his relationship to contemporary drama and dramatists in general, and the theatre of the Absurd in particular. Contrary to the popular...
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| Language: | English |
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University of British Columbia
2012
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| Online Access: | http://hdl.handle.net/2429/42408 |