The impossible love of images : Morel, Marienbad, and the (re-)production of fantasy beyond the Lacanian symbolic
My intent with this thesis is to outline an aesthetic relation that challenges the Lacanian conception of a human subject “captured and tortured by language” (Seminar III 243). Through a reading of two works, a novel and a film, I demonstrate that the Lacanian symbolic—the register of language—canno...
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| Language: | English |
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University of British Columbia
2016
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| Online Access: | http://hdl.handle.net/2429/57888 |