Making the modern critic: Print-capitalism and national identity in seventeenth-century England
Focusing on the work of Thomas Campion, Samuel Daniel, Ben Jonson, and John Dryden, this dissertation argues that the modern critic's identity was constructed in seventeenth-century England. It supplements contemporary scholarly accounts of the origin of modern criticism by looking at the topic...
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| Language: | ENG |
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ScholarWorks@UMass Amherst
2000
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| Online Access: | https://scholarworks.umass.edu/dissertations/AAI9988791 |