Barbro Östlihn och New York : Konstens rum och möjligheter

Barbro Östlihn och New York : Konstens rum och möjligheter

The study analyses the American neo-avantgarde as well as the narratives of Swedish post World War II art history, through a specific subject position. The Swedish painter Barbro Östlihn (1930-1995) lived in New York from 1961, where her work was exhibited and received on a new art scene. Despite th...

Full description

Bibliographic Details
Main Author: Öhrner, Annika
Format: Doctoral Thesis
Language:Swedish
Published: Uppsala universitet, Konstvetenskapliga institutionen 2010
Subjects:
Barbro Östlihn
post war art history
American post war art history
Swedish art history
pop art
feminism
painting
photography
avantgarde
neo-avantgarde
Moderna Museet
Konstfack School of Arts Crafts and Design
The Royal Academy of Art
Aspect 61
Pentacle
art criticism
New York
urban renewal
Öyvind Fahlström
Roy Lichtenstein
Robert Rauschenberg
Jasper Johns
Billy Klüver
Donald Judd
Barbara Rose
Dore Ashton
Pontus Hultén
NUNSKU
Manhattan Urban Renewal
Pierre Bourdieu
Michel Foucault.
post World War II Art History
American post World War II art
Swedish Art History
Art
Konstvetenskap
Online Access:http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-111260
http://nbn-resolving.de/urn:isbn:978-91-7061-068-4

Internet

http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-111260
http://nbn-resolving.de/urn:isbn:978-91-7061-068-4

Similar Items