Identity, Desire and Spectatorship: An Examination of Germaine Dulac’s <em>La Coquille et le Clergyman</em>
Germaine Dulac's 1928 avant-garde film, La Coquille et le Clergyman, based on a script written by Antonin Artaud, presents the idea of the woman as an object of desire, subjected to the male gaze through the cinematic process. Not only is the lone female character the object of desire of her tw...
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Scholar Commons
2008
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| Online Access: | https://scholarcommons.usf.edu/etd/397 https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=1396&context=etd |