Let's Go to the Carnival: Hybridization of Heterotopian Spaces in the Films of Kevin Smith
This paper argues against the charges of puerility in the films of Kevin Smith. I analyze Mallrats (1995), Clerks II (2006) and Zack and Miri Make a Porno (2008). To illustrate my contention, I offer close readings of the director's films, particularly the protagonists' bodily/linguistic p...
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| Format: | Others |
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Scholar Commons
2015
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| Online Access: | https://scholarcommons.usf.edu/etd/5584 https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=6781&context=etd |