Made to music : interactions of music and art, 1955-1969
This dissertation examines the methods by which postwar American and European visual artists engaged with aspects of music in their work. Focusing on four case studies spanning from 1955 to 1969, I look to artistic interest in composition, musicianship, music theory, and sensory experience. These ar...
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| Format: | Others |
| Language: | en |
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2015
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| Online Access: | http://hdl.handle.net/2152/31280 |