A German woman in Indian garb : German orientalism and ideal womanhood in Spohr’s Jessonda
Though Louis Spohr’s Jessonda is primarily remembered for being an early attempt at a continuous opera, its portrayal of India presents an interesting perspective of orientalism in Biedermeier Germany. German orientalism in the early nineteenth century was not motivated by imperialism, and thus dif...
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| Format: | Others |
| Language: | English |
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2012
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| Online Access: | http://hdl.handle.net/2152/ETD-UT-2012-08-6234 |