An Examination, Reinterpretation and Application of Selected Performance Practices in Four Motets of Luca Marenzio (1553-1599): Implications for a Modern Choral Performance Context
This study is based on the premise that modern day performances of late Renaissance sacred music are informed more by biases and assumptions concerning performance practice rather than on information gleaned from the primary sources. The result is homogeneity in performance practice within this bod...
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| Language: | EN |
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The University of Arizona.
2005
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| Online Access: | http://hdl.handle.net/10150/196154 |