Coleridge : the aesthetics of the fragmentary and the romantic imagination
Recent work on the fragment, prompted in part by the disruption of totalities in contemporary theories of writing and textuality, has returned the fragment to legitimacy in literary studies. Literary critics have begun to hail the fragment as the quintessential Romantic "form"-- one which,...
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University of Oxford
1994
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240602 |