Francesco Rosi : an auteur? : the cinema of Francesco Rosi
Auteurist approaches developed in the 1950s studied films as a means of personal expression, valuing those directors who could bring an individual quality to their films as 'auteurs' . More recent theories of subjectivity and textuality have displaced the centrality of the director as auth...
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University College London (University of London)
1994
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249045 |