Alternative empires : Soviet montage cinema, the British documentary movement & colonialism
This is a study of Soviet montage cinema and the British documentary movement of the 1930s which brings together two usually divergent methodologies: postcolonial theory and "new" film history. The first chapter develops new insights into Eisenstein's October and Vertov's The Man...
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University of Warwick
1994
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260942 |