Eclecticism, postmodernism, subversion : new perspectives on English experimental music
This thesis investigates the use of reference and quotation in English experimental music. Observing that these phenomena are also common in other areas of music, it attempts to make firm distinctions between various manifestations and offer reasons why eclectic compositions emanating from the exper...
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City University London
1995
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307888 |